Showing posts with label Open Strings. Show all posts
Showing posts with label Open Strings. Show all posts

Tuesday, October 17, 2006

Day Seven - Unfortunate Break & Open Strings

Due to unforseen circumstances, it seems that the proposed practise that was to take place today will have to be postponed. While it is but a minor hiccup in the quest, the next few days will unfortunately see me some distance from my violin. I will not be reunited with my new bride until the weekend, but I plan not to allow this to hinder my progress.

The Open Strings on the Staff: And so, I start by learning the open strings once more, but this time around, I also seek out the knowledge of where the open strings live on the staff. With a small amount of aid from Wikipedia, I find the following diagram and make every effort possible to commit it to memory.


I consider this work enough for today. My trek tomorrow will take me once again through the town of Ebay, where I shall be looking for books of lore and knowledge to aid me upon my grand adventure.

Saturday, October 14, 2006

Day Four - A Day of Research

Unfortunately, today did not present me with the opportunity to make noise from my instrument. I thought it wise to do some reading online before potentially destroying that which I had just purchased. I found out today many important facts.

The Parts of the Fiddle / Violin: The Scroll, Pegbox, Neck, Fingerboard, Upper Bout, Waist, Bridge, F-Holes, Lower Bout, Fine Tuners, Tailpiece and Chinrest. Fantastic, I can now sound like a pro when talking about my violin, not that this is going to aid my quest greatly, but it's always useful.

The Rosin and the Bow: Puts lots of Rosin on. If you put too much on, it will sound bad and scratchy. If you don't put enough on, it'll not really sound at all. Early conclusion - put stacks on until it starts making sound, then I'll just have to re-apply a tiny bit every time I use it. Oh, and I'll need to scratch the top of the rosin block with a knife or sandpaper before I start.

The Notes of the Open Strings: Not touching the strings and playing them generates the following notes from thick to thin. GDAE. Not easy to remember, until the wonderful memory aid hit me... G'DAy MatE. Or just GDAY(E). Cool, that's actually going to stick. I'll worry about the other notes later.

Joining Symphony Orchestra: Is going to require some practice so I can make a realistic sound from my instrument. Proposed plan is to have a couple of days messing, a couple of days practise and join not this week, but the week afterwards.

In short, I'm definitely happy with the research. Note to self: keep up the good work.